



{"id":8197,"date":"2017-05-30T01:26:54","date_gmt":"2017-05-30T01:26:54","guid":{"rendered":"https:\/\/media.am\/handwritten-newspapers-with-orphans-stories\/"},"modified":"2017-05-30T01:26:54","modified_gmt":"2017-05-30T01:26:54","slug":"handwritten-newspapers-with-orphans-stories","status":"publish","type":"post","link":"https:\/\/media.am\/en\/critique\/2017\/05\/30\/8197\/","title":{"rendered":"Handwritten Newspapers with Orphans\u2019 Stories"},"content":{"rendered":"<p>During the end of the 19th century and early 20th century, published alongside printed newspapers were handwritten newspapers in Armenian script.<\/p>\n<p>Why were these newspapers written by hand when printing presses had long been in use? Who were those people who were ready to write and copy issues of the paper in this extremely laborious fashion, for a limited audience and a small \u201cprint run\u201d?<\/p>\n<p>Issues of some of the handwritten newspapers are preserved in the Charents Museum of Literature and Arts. In particular, preserved are 16 issues of the handwritten newspaper <em>Gorts <\/em>(Work) published by the efforts of the Armenian students of Lazarian Seminary in Moscow.<\/p>\n<p>The newspaper was published only for two years, from 1887\u20131888, first as a weekly, then as a monthly paper.<\/p>\n<p dir=\"ltr\"><img decoding=\"async\" alt=\"Signatures of &lt;i&gt;Gorts\u2019&lt;\/i&gt; editor and the person responsible for the issue.\" src=\"https:\/\/c1.staticflickr.com\/5\/4271\/34800897332_89b688e887_z.jpg\" style=\"width:100%\" \/><\/p>\n<p>As for what purpose this handwritten newspaper published by 5th grade students fulfilled, we read about in the paper\u2019s 8th issue: \u201cAs is known to the reader, we Russian-Armenians have two published daily newspapers, <em>Mshak<\/em> and <em>Nor Dar<\/em>, the weekly <em>Ardzaganq<\/em>, and <em>Aghbyur<\/em> monthly. Our readers may be more or less familiar with all these newspapers; for this reason we consider it unnecessary to talk at length about them here and discuss their good and bad aspects. Reading different types of books, of course, we benefit from all sides, but to be satisfied by reading only published books is too small. Our remarks this time don\u2019t refer to children at all, but only to older students because reading the newspaper is not that interesting to children, nor are they prepared. But reading the newspaper is necessary for our students, if not always, then at least sometimes\u2026 Instead of spending 120 and even up to 150 rubles a year in vain on things for the stomach, clothing, and unnecessary fashion, you must spend 3 or 5 rubles on the newspaper, for it to be good and useful.\u201d<\/p>\n<p><em>Gorts<\/em> was written on two sheets. Each author would write her article in her handwriting. Moreover, newspaper page layout rules were preserved: articles on the same page were in columns.<\/p>\n<p>Judging from its content, the newspaper can be considered sociopolitical and somewhat literary. By the way, Russian literary critic and Armenologist Yuri Veselovsky was a correspondent for the paper: he wrote his poems in his handwriting.&nbsp;<\/p>\n<p dir=\"ltr\"><img decoding=\"async\" alt=\"Yuri Veselovsky\u2019s poem in &lt;i&gt;Gorts\u2019&lt;\/i&gt;  in the author\u2019s handwriting. Photo credit: Charents Museum archives.\" src=\"https:\/\/c1.staticflickr.com\/5\/4243\/34800897032_c7dc44f0e1_z.jpg \" style=\"width:100%\" \/>Here is an excerpt from the first issue in 1887: \u201cMany times we\u2019ve hotly debated, talked about the general rebellion and freedom of our oppressed nation, but we haven\u2019t thought that the Armenian doesn\u2019t recognize himself, but without self-recognition, no work is done, especially such sacred and serious work as general national rebellion. Yes, there is no better way to enjoy perfect freedom than rebellion\u2026 We, sons worthy of brave and holy ancestors, were unable to keep the independence and freedom left as a legacy to us, and now we are vile slaves, the foreigner\u2019s servant, why?\u2026\u201d This was the seminary students\u2019 response to the teaching of Armenian history being banned in Russia, to some Armenian schools being shut down.<\/p>\n<p dir=\"ltr\"><img decoding=\"async\" alt=\"Children from the orphanage, who had become close with Vahan Teryan. Photo courtesy of G. Emin-Teryan.\" src=\"https:\/\/c1.staticflickr.com\/5\/4243\/34800896512_49d27c6850_z.jpg\" style=\"width:100%\" \/><\/p>\n<p>The handwritten periodicals became especially widespread after the Armenian Genocide, in orphanages and Armenian schools.<\/p>\n<p>During those hard times, many orphans found their parents\u2019 affection in familiarity with poet Vahan Teryan. Not having the poet\u2019s printed works on hand, the educated adult orphans, copying them in handwritten journals, would disseminate them. In Tbilisi, Baku, Gyumri, and elsewhere where there were orphanages, with the efforts of literate students, handwritten journals were published and theatre groups were formed. Baku\u2019s Philanthropic Organization, Tbilisi\u2019s Benevolent Union, Moscow\u2019s Armenian Committee, and other charitable organizations through handwritten journals tried to develop the orphans\u2019 intellectual abilities and identify those with good writing skills. The literary journals <em>Paros<\/em>, <em>Tsiatsan<\/em>, <em>Aragats<\/em>, <em>Boghboj<\/em>, <em>Ayg<\/em>, and <em>Tsil<\/em> were created in the orphanages of Gyumri.<\/p>\n<p>Also preserved in the Charents Museum is the collection of the <em>Ayg<\/em> \u201cliterary and moral biweekly.\u201d Unlike <em>Gorts<\/em>, which was written in a rushed, somewhat irregular script, in <em>Ayg<\/em>, all the rules of stately writing were kept.<\/p>\n<p dir=\"ltr\"><img decoding=\"async\" alt=\"Cover of &lt;i&gt;Ayg&lt;\/i&gt;. Photo credit: Charents Museum archives.\" src=\"https:\/\/c1.staticflickr.com\/5\/4252\/34154357093_0ef40d6391_z.jpg\" style=\"width:100%\" \/><\/p>\n<p>In the March 15, 1922 issue, which the grade 5 students of Ayntap\u2019s orphanage compiled, the preamble is how the idea of compiling this handwritten paper matured. \u201cFor a long time, we had properly planned in the orphanage the publication of a small journal, [but] the discomfort of circumstances and the heavy toil of our lessons forced us to abandon this goal. But the idea being conceived, sooner or later one day we would finally implement it.<\/p>\n<p>\u201cLast week, at a nighttime gathering, we decided not to wait any longer and publish a biweekly named <em>Ayg<\/em>. <em>Ayg<\/em>\u2019s purpose is simple and certain: the moral and cognitive development of us orphans.\u201d<\/p>\n<p>Another of the handwritten newspapers, <em>Paros<\/em>, compiled again by orphan survivors of the Genocide, got the attention of <em>Mshak<\/em> newspaper. \u201cWe of course don\u2019t talk about its [<em>Paros<\/em>\u2019] literary merits. We picked up a pen to emphasize that the orphans\u2019 mental state is unenviable. Their childish babble tells us a lot. In the so-called editorial piece, there is an effort and an invitation that it\u2019s enough, orphans writing songs of grief and pain. Young hearts must sing joy and love. But when you leaf through the other covers, you see how the following pages, one after another, are gripped with a gloomy mood\u2026 The orphan students\u2019 monthly paper has great merit as a dear document that stems from such a source that no genocidal [person] would consider it their right to even search for a glimpse of deceit\u2026\u201d (1919, N4).<\/p>\n<p>Handwritten newspapers, in fact, are documents, written in the hands of children who experienced the Genocide and who lost their parents. By the way, Hovhannes Shiraz, Khachik Dashtents, and other writers took their first literary steps in these papers.<\/p>\n<p class=\"rteright\"><strong>Lilit Avagyan<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>During the end of the 19th century and early 20th century, published alongside printed newspapers were handwritten newspapers in Armenian script. Why were these newspapers written by hand when printing presses had long been in use? Who were those people who were ready to write and copy issues of the paper in this extremely laborious<a class=\"moretag\" href=\"https:\/\/media.am\/en\/critique\/2017\/05\/30\/8197\/\"> Read the full article&#8230;<\/a><\/p>\n","protected":false},"author":3,"featured_media":8195,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-8197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critique","author_posts-lilit-avagyan"],"acf":[],"_links":{"self":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts\/8197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/comments?post=8197"}],"version-history":[{"count":0,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts\/8197\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/media\/8195"}],"wp:attachment":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/media?parent=8197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/categories?post=8197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/tags?post=8197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}