



{"id":10390,"date":"2018-10-08T19:33:24","date_gmt":"2018-10-08T19:33:24","guid":{"rendered":"https:\/\/media.am\/unlucky-news-about-zorats-karer-carahunge\/"},"modified":"2018-10-08T19:33:24","modified_gmt":"2018-10-08T19:33:24","slug":"unlucky-news-about-zorats-karer-carahunge","status":"publish","type":"post","link":"https:\/\/media.am\/en\/newsroom\/2018\/10\/08\/10390\/","title":{"rendered":"Unlucky News About Zorats Karer (Carahunge)"},"content":{"rendered":"<p dir=\"ltr\">Several Armenian websites have re-spread photos from a14-year-old performance and presented them as fresh information by falsely claiming that the Zorats Karer are being so-called defiled.<\/p>\n<p dir=\"ltr\">The archived &nbsp;photos bega to spread quickly across the media. Everyone had the same text and title,in the tone of \u201cwhat is happening in the historical territory of Carahunge Historical and Cultural Reserve.\u201d The titles almost always made note of (18+ photos). The authors of the articles did not mention that the photographs were taken 14 years ago and are not presenting the news, rather a work of art.<\/p>\n<p dir=\"ltr\">The photos were distributed by <a href=\"https:\/\/newstime.am\/?p=34886\" target=\"_blank\" rel=\"noopener noreferrer\">newstime<\/a>, <a href=\"http:\/\/haynews.am\/hy\/1538594581\" target=\"_blank\" rel=\"noopener noreferrer\">haynews<\/a>, <a href=\"https:\/\/www.arenanews.am\/news\/view\/45164\" target=\"_blank\" rel=\"noopener noreferrer\">arenanews<\/a> &nbsp;who later removed the material, <a href=\"http:\/\/hayeli.am\/article\/1119559\" target=\"_blank\" rel=\"noopener noreferrer\">hayeli<\/a>, <a href=\"https:\/\/yelaket.am\/?p=43635&amp;l=am\" target=\"_blank\" rel=\"noopener noreferrer\">yelaket<\/a>, <a href=\"http:\/\/www.slaq.am\/arm\/news\/1276327\/\" target=\"_blank\" rel=\"noopener noreferrer\">slaq<\/a>, <a href=\"https:\/\/orer.site\/?p=355709&amp;l=am\" target=\"_blank\" rel=\"noopener noreferrer\">orer<\/a> and <a href=\"http:\/\/armday.am\/post\/64427\/inch-e-katarvo-m-qaraho-nji-patmamshako-tajin-argelotsi-taratsqo-m-(18-lo-sankarner)\" target=\"_blank\" rel=\"noopener noreferrer\">armday<\/a>. The latter had contacted the author of the performance, artist Ashot Avagyan. The performance took place in 2004. It was called \u201cFertility.\u201d<\/p>\n<p dir=\"ltr\">\u201cThe so-called portrock is a fetish related to fertility. The portrock is associated with the worship of the god of fertility of the land, fertility and motherhood. Until the 1960s, the people of Sisian would take the women who did not bear children to that rock and performed a ritual with the belief that a child should be born. Then when the baby was born their husbands would return and give a sacrifice. As an artist, I tried to present that ritual through art. It was also televised,\u201d said Avagyan. &nbsp;<\/p>\n<p dir=\"ltr\">The topic had reached the Ministry of Culture. The office also had to <a href=\"http:\/\/mincult.am\/home-1-4441-page-0.html\" target=\"_blank\" rel=\"noopener noreferrer\">clarify<\/a>.<\/p>\n<p dir=\"ltr\">It should be noted that there is a great contradiction among scientists as to what the roots and meaning of the Zorats Karer are. There are claims that the Zorats Karer were used as an observatory and that they were a mausoleum. One group wants to excavate, the other opposes it. Ashot Avagyan, author of the 14-year-old performance, is one of the parties.<\/p>\n<p class=\"rteright\" dir=\"ltr\"><strong>Gagik Aghbalyan<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Several Armenian websites have re-spread photos from a14-year-old performance and presented them as fresh information by falsely claiming that the Zorats Karer are being so-called defiled. The archived &nbsp;photos bega to spread quickly across the media. Everyone had the same text and title,in the tone of \u201cwhat is happening in the historical territory of Carahunge<a class=\"moretag\" href=\"https:\/\/media.am\/en\/newsroom\/2018\/10\/08\/10390\/\"> Read the full article&#8230;<\/a><\/p>\n","protected":false},"author":3,"featured_media":10383,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-10390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsroom","author_posts-gagik-aghbalyan"],"acf":[],"_links":{"self":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts\/10390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/comments?post=10390"}],"version-history":[{"count":0,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/posts\/10390\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/media\/10383"}],"wp:attachment":[{"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/media?parent=10390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/categories?post=10390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/media.am\/en\/wp-json\/wp\/v2\/tags?post=10390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}