1.0media.amhttps://media.am/en/"A face is a person's possession and even after death no one has the right to exploit it" • media.amrich600338<blockquote class="wp-embedded-content" data-secret="2rpJSqcAd9"><a href="https://media.am/en/viewpoint/2014/11/18/4583/">“A face is a person’s possession and even after death no one has the right to exploit it”</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://media.am/en/viewpoint/2014/11/18/4583/embed/#?secret=2rpJSqcAd9" width="600" height="338" title="““A face is a person’s possession and even after death no one has the right to exploit it”” — media.am" data-secret="2rpJSqcAd9" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://media.am/wp-content/uploads/2016/01/german_avagyan_0.jpg600386Photographer German Avagyan prior to photographing tries to plunge into the situation and destiny of man as much as the situation and his emotions permit. He talks with his subject for a long time, befriending him, asking questions, and most importantly, listens. What he hears and experiences becomes a framed instant, always with a story behind it. A photographer's professionalism, after all, is to allude to a story and not just spread glorious, stunning, or scandalous images.