1.0media.amhttps://media.am/en/'Public utopias are the main propeller, the horizon, the vision' • media.amrich600338<blockquote class="wp-embedded-content" data-secret="83tlyKajui"><a href="https://media.am/en/viewpoint/2013/04/23/3342/">‘Public utopias are the main propeller, the horizon, the vision’</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://media.am/en/viewpoint/2013/04/23/3342/embed/#?secret=83tlyKajui" width="600" height="338" title="“‘Public utopias are the main propeller, the horizon, the vision’” — media.am" data-secret="83tlyKajui" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://media.am/wp-content/uploads/2016/01/ruben_arevshatyan_0.jpg600386For the past several years, artist and curator Ruben Arevshatyan has been working on an extensive research project called Sweet 60s, which aims to gather and reinterpret the archive of images of the most interesting and contradictory decade of the 20th century.